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The Suffering
USA 2016
produced by Marco V. Scola, Brandon Rose, Robert Hamilton, Ian Coyne for Reclusive Cinema
directed by Robert Hamilton
starring Nick Apostolides, Phil Amico, Lee Hamilton, Regen Wilson, Chad Eric Smith, Elizabeth Deo, Liz Christmas, Carl Stevens, Chappy Gould, Timo Gould, Fahim Hussaaini, Reed Peltier, Kina Gee, Carl Stevens
written by Marco V. Scola, Robert Hamilton, music by Lianne Ward, special makeup effects by Bob Yoho
review by Mike Haberfelner
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Henry (Nick Apostolides) has accepted an assignment to do an appraisal
of an estate somewhere in the middle of nowhere, rural USA - he says he
does this mainly because he's needing the money to support is pregnant
wife (Elizabeth Deo), but somehow he seems more like someone on the run
from something, be it responsibility or guild - after all, he is only in
the process of ending his affair with Selena (Liz Christmas), who he
didn't even try to resist when his wife was already pregnant. The owner
of the place, Remiel (Phil Amico), quickly takes to Henry though, and vice
versa, and Henry also takes to the job, at the estate he finds many
"treasures", memorabilia of long lost times, and gets to take
photos (his former job and vocation) of them, and has pretty much free
reign of his time, as long as he's having a nightcap with Remiel,
something he enjoys very much ... and then he finds a grossly decomposed
corpse hanging from the ceiling of one of the sheds, and that pretty much
throws him off the track ... and it takes Remiel a pretty huge amount of
convincing (and money) to persuade him to stay. Thing is, things go
downhill from here: At first, Henry only has the feeling there are
creatures there with him, and a weird rash that's developing on his body
might only be coincidence, but eventually, in his nightmares, he crosses
paths with his creatures, and they seem to have rashes just like his, and
he stumbles over persons from his past, some dead some alive, but all in a
pitiful state - which really gets menacing when he figures his nightmares
might not just be figments of his imagination but merely another level of
reality ... Now The Suffering is most certainly not a
film that spoonfeeds one explanations in easily digestible chunks and
remains open to interpretation to the very end - which is a good thing,
because it really makes the confusion of the lead character totally
palpable, especially since the audience gets to know him only by the by as
well. Plus, don't expect pure spectacle here, instead this movie moves at
a deliberate slow pace which really succeeds in building up the right sort
of tension and also alienation, also thanks to great locations, solid
acting, and poignant dialogue. And believe me, before this movie's over,
it will have creeped you out! Definitely worth a look!
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