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Supaida-Man - Karei Mari Satsujin Mashin e no Henshin

Spider-Man - Transformation to a Splendid Murder Machine / episode 12

Japan 1978
produced by
Toru Hirayama, Susumu Yoshikawa for Toei
directed by Koichi Takemoto
starring Shinji Toudou, Mitsuo Ando, Izumi Oyama, Rika Miura, Yukie Kagawa
written by Shozo Uehara, based on the Marvel Comics-character Spider-Man created by Stan Lee (writer), Steve Ditko (artist)

TV-series
Spider-Man, Japanese Spider-Man

review by
Mike Haberfelner

Model Minako is very much in love with star designer Togo, but he doesn't even seem to notice her - and why should he, he is surrounded by models all day, and his girlfriend is the prettiest of all of them. Enter Amazoness (Yukie Kagawa) of the Iron Cross Army, who promises Minako plastic surgery to become the prettiest of them all. But she also persuades Minako to kill Togo's current girlfriend, just to make sure he notices her.

Everything works out perfectly, and before you know it, Minako and Togo are a couple.

But why would the extremely evil Iron Cross Army help an innocent young girl to get together with the man she loves?

Because they need her to kill inspector Huroki, that's why. The Iron Cross Army itself can't even get near the inspector because he is well guarded by sensors detecting Iron Cross Army members. A mere human model on the other hand ... Of course, Minako isn't just a model anymore, she has been enhanced to be a supergirl and implanted a chip so she can be remote-controlled.

Anyways, the assassination attempt almost succeeds if it wasn't for Spider-Man (Shinji Toudou), who has long followed Minako's career and long grown suspicious about her. He manages to chase Minako away just in time, and at a later encounter, he destroys the remote control that has a hold on Minako, thus ending the Iron Cross Army's spell over her. Led by Amazoness, the Army quickly makes a getaway ... but Minako, feeling guilty for all she has done, takes her own life.

 

Despite the fact that there is no robot or monster action in this one, this is one of the livelier episodes of Supaida-Man, basically because on the one hand it's by far not as formulaic as your standard episode and with the omission of monsters and robots gives the story more space to develop, on the other because the focus of the plot is shifted from Spider-Man himself and is thus given more room to breed.

And despite all of this, the whole thing is campy enough all the same ...

 

review © by Mike Haberfelner

 

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Thanks for watching !!!

 

Stell Dir vor, Deine Lieblingsseifenoper birgt eine tiefere Wahrheit ...
... und stell Dir vor, der Penner von der U-Bahnstation hat doch recht ...
... und dann triffst Du auch noch die Frau Deiner (feuchten) Träume ...

 

Und an diesem Tag geht natürlich wieder einmal die Welt unter!!!

 

Bauliche Angelegenheiten
ein Roman von
Michael Haberfelner

 

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