She Kills

USA 2015
produced by
Ron Bonk, Howard Gromero, Jonathan Straiton for SRS Cinema, Duke Studios
directed by Ron Bonk
starring Jennie Russo, Trey Harrison, Michael Merchant, Jody Pucello, David Royal, Martha Zemsta, Niecy Cerise, Mateo Prendergast, Matt Mendoza, Kirk LaSalle, George Cooper, Wayne W. Johnson, Leon Knob, Alec Bonk, Colby Flinchum, Wes Reid, Tyler Smith, Gerrit Vanderwerff jr, Tom Minion, Brett Janeski, Nathan Bonk, Adam Cross, Jamie Morgan, Cassandra Hayes, Katlyn Olivia, Nicole Olivia, Rebecca C. Kasek, Mary Snell, Maria Doyle, Sara Kuback, Danielle DiBiase, Stacey Longo
written by Ron Bonk, music by Emmett Van Slyke, makeup and special effects by Colby Flinchum

review by
Mike Haberfelner

In her wedding night, Sadie (Jennie Russo) is still a virgin - but instead of being deflowered by her husband Edwin (Kirk LaSalle), it's by the fingers of Dirk (Trey Harrison), leader of The Touchers (Michael Merchant, Jody Pucello, David Royal, Martha Zemsta), a gang that apparently specializes in rape and murder. But when Sadie loses her virginity, some evil power is set free, that sees the whole gang not only gangraping Sadie until exhaustion, but they also eat Edwin up to the bone - shocked about this they then flee the scene.

When Sadie returns home in shock, her father (Mateo Prendergast), instead of consoling her, immediately tries to rape her, but is killed by her brother (Matt Mendoza), who kills dad to defend Sadies honour, but then rapes her and eats dead.

From a soothsayer (Niecy Cerise), Sadie learns she has a peculiar condition called "the Devil's Crotch", which turns all men into cannibalistic rapists once turned on by her, and the only way to fight this is to make her the enemy of all men ... literally, by giving her a vagina dentata (= toothed vagina).

With this newly developed weapon in her underpants, Sadie goes after the Touchers - and gets them all where it hurts the most ...

As you might have guessed from above synopsis, subtlety is not one of this film's virtues - basically it's over-the-top insanity, borrowing freely from 1970s grindouse cinema and 1980s direct-to-video genre fare, but taking the insanity of those several steps further. Now this is more often than not a recipe for disaster, but somehow writer/director Ron Bonk succeeds to keep the lunacy of the piece at the same almost unreasonable height so you're really sucked into the crazy parallel world he has created, so such an extent that one will even find multiple crotch-removals funny. Likewise, the performances are pretty much far out and hardly believable, but they make total sense within the contect, as do the at times (intentionally, mind you) piss-poor effects - just wait for that car falling off a cliff!

It's the perfect party movie, that's for sure - but one you even might find funny on your own and without the help of alcoholic beverages and/or recreational drugs!

review © by Mike Haberfelner

 

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