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The Mysterious Dr. Fu Manchu

USA 1929
produced by
Rowland V.Lee for Paramount
directed by Rowland V.Lee
starring Warner Oland, Neil Hamilton, Jean Arthur, O.P. Heggie, William Austin, Claude King, Charles A.Stevenson, Evelyn Selbie, Noble Johnson, Chappell Dossett, Donald MacKenzie
screenplay by Lloyd Corrigan, Florence Ryerson, based on the novel by Sax Rohmer

Fu Manchu, Fu Manchu (Warner Oland)

review by
Mike Haberfelner

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China, 1900: During the Boxer Rebellion, the wife and child of Dr Fu Manchu (Warner Oland), a benign man sympathetic to the cause of the colonialists, are killed by a colonialist bomb - which leads to Fu Manchu's hatred of all white men, and his vow to kill all those who have had a part in killing his wife and child and their families. Fu Manchu has a white ward though ...

Roughly 30 years later, London: Young Dr Petrie (Neil Hamilton) meets lovely Lia (Jean Arthur), a woman with a peculiar condition that makes her occasionally lose her mind, in the fog. He promises to help her, and falls in love with her, hook line and sinker. Lia disappears soon afterwards though, and it turns out she's the ward of Fu Manchu.

Back home at the Petrie's the young doctor's grandpa (Charles A.Stevenson) receives a visit from Scotland Yard inspector Nayland Smith (O.P. Heggie), who warns him that someone is out there killing officers of the Boxer Rebellion and their offspring. Gramps Petrie thinks little of it - but he doesn't survive the night, is killed by a gas bomb. Smith and young Dr Petrie pursue the perpetrator to Limehouse and the home of Dr Fu Manchu, who proves to be a charming host at first ... until Smith accuses him. Fu Manchu admits to everything, gloats and makes a getaway, leaving behind his ward Lia. Petrie, who has of course long taken a liking to Lia, decides to take her in, believing that she has no evil bone in her body ... and he's of course right - to a degree, because Fu Manchu has some hypnotic power over the girl.

It soon turns out that doctor Petrie's dad (Claude King) is the next on Fu Manchu's to-kill-list, with the young doctor following close behind - so Smith urges the Petries to leave their home for the countryside to hide away from Fu Manchu ... but that's to little avail, because Fu Manchu soon has the Petries' driver substituted by one of his own men, manages to sneak into the Petrie country estate through a hidden passageway, and controls Lia's mind from afar. So despite all of Nayland Smith's precautions, pops Petrie is soon killed, son Petrie made Fu Manchu's captive, and Nayland Smith is kept tied up in the next room. Fu Manchu now figures he'll just hypnotize Lia to kill doctor Petrie, but faced with killing the man she loves, Lia breaks Fu Manchu's hypnotic spell - so Fu Manchu tries to convince her many another way to convince her to kill Petrie to spare him a fate worse than death. But Lia is helped by Fu Manchu's maid who's also her nanny (Evelyn Selbie) who frees Nayland Smith, who subsequently has little problems taking control of the situation ... and eventually, Fu Manchu takes poison to escape capture ...

 

The first Fu Manchu-talky is ... well, nothing great. It has its high points, like a very economic and slim screenplay, like not only telling Fu Manchu's origin story but also weaving it into the film's plot (an art that has gone totally lost in the more than 80 years since then), plus Warner Oland makes a rather good Fu Manchu, constantly changing between mild-mannered eccentric and ruthless villain. But then the film also shares its problems with many other talkies: It's very static in direction (a technical problem due to the cumbersome sound equipment), is a bit low on action and lacks any real spectacle a Fu Manchu story would suggest rather by definition.

In all, nothing great, but watchable - and back in the day it was apparently successful enough to spawn two sequels, the first one being The Return of Dr. Fu Manchu.

 

review © by Mike Haberfelner

 

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