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The Man in the White Suit

UK 1951
produced by
Michael Balcon for Ealing/The Rank Organisation
directed by Alexander Mackendrick
starring Alec Guiness, Joan Greenwood, Cecil Parker, Michael Gough, Ernest Thesiger, Howard Marion Crawford, Henry Mollison, Vida Hope, Patric Doonan, Duncan Lamont, Harold Goodwin, Colin Gordon, Joan Harben, Arthur Howard, Roddy Hughes, Stuart Latham, Miles Malleson, Edie Martin, Mandy Miller, Charlotte Mitchell, Desmond Roberts, John Rudling, Charles Saynor, Russell Waters, Brian Worth, George Benson, Frank Atkinson
screenplay by John Dighton, Roger MacDougall, Alexander Mackendrick, based on the play by Roger MacDougall, music by Benjamin Frankel

review by
Mike Haberfelner

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Straton (Alec Guiness) is a brilliant mind who wants to develop a textile fabric that won't get dirty or wear out, but sadly enough, no textile manufacturer seems to believe in his ideas ... so Stratton regularly takes low jobs in textile compnanies, & whenever there's time he sneaks into their respective labs to work on his formula - & with great regularity he is fired for his behaviour.

Then though he works at Birnley's (Cecil Parker) company, & somehow his invention catches the eye of Birnley's daughter Daphne (Joan Greenwood), who wants to get back at her father for not having helped her finacé Michael (Michael Gough) & somehow manages to force daddy to employ Stratton as chief lab technician, who gets everything he wants to develop his new fabric ... but the development at first produces little more than regular explosions.

One day though, Stratton succeeds, & soon he promenades around in his first new white suit (hence the title - only to suddenly find himself being chased by everyone: textile manufacturer Birnley - who has no intentions to market the fabric as it would discourage people from buying textiles once the ones they have don't catch dirt or wear out -, Birnley's rivals - who think withthe fabric Birnley would have an unfair advantage - and the union - who, thanks to Birnley's well-meaning colleague Bertha (Vida Hope), think he is mistreated at his workplace.

A big chase ends with Sttratton's white suit suddenly crumbling from him, in front of everybody.

In the end, Birnley's factory gates close behind Stratton, & this should be the last of his super-fabric ... or wait a minute, is there just a tiny mistake in his calculations ?


Despite great performances throughout & some fun plottwists, this is one of Ealing's lesser comedies, somehow the story as a whole doesn't really get off the ground - quite probably because it wastes too much time in setting up Stratton's super fabric & its way to get produced to really make the big chase scene in the end, including the suit crumbling from Stratton, a narrative necessity or put a much needed emphasis on it.


review © by Mike Haberfelner


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Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.


Tales to Chill
Your Bones to
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.


Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner


Out now from




On the same day
a Burglar wants to kill you
and your Ex wants
to make up ...
... and for the life of it,
you can't decide


A Killer Conversation

produced by and starring
Melanie Denholme
directed by
David V.G. Davies
written by
Michael Haberfelner
Ryan Hunter and
Rudy Barrow

out now on DVD