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The Las Vegas Hillbillys
USA 1966
produced by Larry Jackson, Bernard Woolner (executive) for Woolner Brothers
directed by Arthur C. Pierce
starring Ferlin Husky, Mamie Van Doren, Jayne Mansfield, Don Bowman, Louis Quinn, Billie Bird, Richard Kiel, Arlene Charles, Helen Clark, Christian Anderson, Theodore Lehmann, John Harmon, Bennett King, Chuck Harrod, Larry Barton, plus musical guests: Sonny James, Roy Drusky, Del Reeves, Bill Anderson, Connie Smith, Wilma Burgess, Duke of Paducah, Jr. Carolina Cloggers, the Jordanaires
written by Larry Jackson, music by Dean Elliott
Las Vegas Hillbillys
review by Mike Haberfelner
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Available on DVD! To buy, click on link(s) below and help keep this site afloat (commissions earned) |
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Hillbilly Woody (Ferlin Husky) has inherited a casino in Las Vegas from
his uncle, but when he arrives there with his sidekick Jeepers (Don
Bowman), he finds it to be nothing more than a cheap beerjoint burdened
with debts with entertainer Boots Malone (Mamie Van Doren) as its only
attraction. Woody tries to make a musical place out of it anyhow, but the
only people who visit the place regularly are debt collectors. The tides
only turn when his aunt Clem from deep backwoods, USA, arrives, calls
every musician in Nashville she knows to come by for a visit, and makes a
country music heaven in the middle of the gambling Mecca out of Woody's
place in no time. And in the end, Woody gets Boots, too ... Jane
Maynsfield pops in and out of the story as Woody's uncle's now wealthy
former protegée, and even if she helps Woody every turn along the way,
her actual narrative significance is very limited. What can I
say? This movie has a bad reputation, and for a change it's 100% justified
... and the reasons are manifold: Basically, this film is based on a
feeble excuse for a story which at times throws in conflicts that are
never really built up or resolved. Then, the story is constantly
interrupted by musical numbers - but not only one number or two, but
actual blocks of country music, all lasting three to five (maybe more)
songs at a time - musical numbers that have no narrative function
whatsoever. One musical block is even presented as a dream sequence - but
there was no narrative reason for anyone to sleep let alone dream. What's
really annoying about these musical numbers though is that they are so
boringly filmed, it's basically just a performer captured on stage by a
single camera that refuses to move too much, making this a very static
experience, augmented by the fact that nothing much is happening in front
of the camera to begin with, it's just some guy or girl singing. The music
isn't anything special either, just your middle-of-the-road country tunes,
but that at least is a matter of taste more than anything else, right? Now
all of this sounds pretty bad already, right? But the major shortcoming of
this film is that it's supposed to be a comedy, and it's not funny at all
- and neither any of the actors nor the director try to milk at least some
jokes out of the completely unhumourous screenplay. Only Mamie Van Doren,
the only bright light in this film, does add a little comedic sparkle to
this film, and she also performs the only inspired song-and-dance routine,
but she alone is not able to save this mess. Now I guess my description
alone might have turned this movie into a must-see challenge for every bad
film afficionado - but believe me, it's not worth your time!!!
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