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The Irishman
I Heard You Paint Houses
USA 2019
produced by Troy Allen, Gerald Chamales, Robert De Niro, Randall Emmett, Gastón Pavlovich, Jane Rosenthal, Martin Scorsese, Emma Tillinger Koskoff, Irwin Winkler, Richard Baratta (executive), George Furla (executive), Niels Juul (executive), Jai Stefan (executive), Chad A. Verdi (executive), Berry Welsh (executive), Tyler Zacharia (executive) for Tribeca Productions, Sikelia Productions, Winkler Films, STX Entertainment/Netflix
directed by Martin Scorsese
starring Robert De Niro, Al Pacino, Joe Pesci, Harvey Keitel, Ray Romano, Bobby Cannavale, Anna Paquin, Stephen Graham, Stephanie Kurtzuba, Jack Huston, Kathrine Narducci, Jesse Plemons, Domenick Lombardozzi, Paul Herman, Gary Basaraba, Marin Ireland, Lucy Gallina, Jonathan Morris, Dascha Polanco, Welker White, Louis Cancelmi, Bo Dietl, Sebastian Maniscalco, Aleksa Palladino, Jim Norton, Daniel Jenkins, Billy Smith, Kevin O'Rourke, Action Bronson, Glenn Cunningham, Paul Ben-Victor, Patrick Gallo, James Martin, Jake Hoffman, Barry Primus, Danny A. Abeckaser, Anthony J. Gallo, J.C. MacKenzie, Joseph Bono, Larry Romano, Louis Vanaria, Craig Vincent, John Polce, Joseph Riccobene, Vinny Vella, Thomas E. Sullivan, John Cenatiempo, Robert Mladinich, Rich Reilly, Robert Funaro, Tess Price, Jordyn DiNatale, Jennifer Mudge, Kate Arrington, India Ennenga, Philip Suriano, Jason Iannacone, Michael C. Brennan, James P. Harkins, Al Linea, Garry Pastore, Frank Pietrangolare, Frank Aquilino, John T. Sollitto, Patrick Murney, Samantha Soule, Richard V. Licata, Vito Picone, Larry Mazza, Craig DiFrancia, Ira Drukier, Jon Bruno, Paul Borghese, Steven Maglio, James Licata, Veronica Alicino, Mike Massimino, James Ciccone, Ron Castellano, Marco Greco, Meghan Rafferty, Aldo Sergi, James Lorinz, Jeffrey Paul, Robert C. Kirk, Vince Maritato, Lawrence Smith, Ken Wulf Clark, John Rue, Steve Routman, Fernando Vera, Peter Claymore, Charles DelGatto, Michael Gongora, Eugene Bunge, Matthew F. O'Connor, Cliff Moylan, Vincenzo DelRiccio, Steve Beauchamp, Alfred Sauchelli jr, Joe Giorgio, Diana Agostini, Lauren Aparicio, Kelley Rae O'Donnell, John Garrett Greer, Jack Caruso, John Scurti, Tom Tj Jenkins, Steve Witting, Luke Smith, Brent Langdon, James D. Forsha, Paul Pearlman, Frank L. Messina, Cilda Shaur, Dominick LaRuffa jr, Erick Zamora, Steven Maglio, Joe Caniano, Lou Martini jr, Michael Bottari, John Bianco, Margaret Anne Florence, Siena Marino, Lori Arkin, Nicholas Chrysan, Samantha Coppola, Logan Crawford, Jeff DeHart, Mark Fairchild, Blaise Corrigan, Jill Brown, Tim Neff, Matt Walton, Peter Jay Fernandez, Stephen Mailer, Gino Cafarelli, Robin Kerbis, Lucia Giannetta, Michael Romeo Ruocco, Amanda Kloots, Anne Horak, Brittany Bigelow, Vanessa Mitchell, Madison Eastman, Purdie Baumann, Jesse Wildman, Nina Lafarga, Neil Posner, Michael Leviton, Bridget Barkan, Andrea Weinzierl, Richard Papa, Nicholas Wight, Clark Carmichael, Joseph Russo, Jeremy Luke
screenplay by Steven Zaillian, based on the book by Charles Brandt, music by Robbie Robertson
review by Mike Haberfelner
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The first time World War II veteran turned meat truck driver Frank
Sheeran (Robert De Niro) and mobster Russell Bufalino (Joe Pesci) meet,
circa late 1950s, is by pure chance after Frank's truck has broken down,
but they take an instant liking into one another - and eventually, Russell
asks Frank for a few "favours" on the side, for a generous fee
of course, Frank is happy to "help out" - something that
eventually lands him in court, but Russell pays for Frank's lawyer - his
own nephew Bill (Ray Romano) - and Frank gets out scot-free. This pleases
Frank, naturally, and his behaviour also impressed Russell, and he didn't
squeal once, even if it would have made things much easier for him. So
Russell hires Frank for bigger jobs, and it's not long before Frank, a
trained soldier from the war, becomes one of Russell's hitmen. And thanks
to his loyality and his honesty (paired with his lack of ambition to rise
to his level in the ranks), Frank soon becomes Russell's favourite and
personal friend. Around that time, Jimmy Hoffa (Al Pacino), president of
the trucker union, starts to make a stir - and becomes incredibly
successful thanks to his mob contacts and mob tactics. But Hoffa makes
enemies, so Russell sends over Frank to serve as Hoffa's protection.
Again, Frank does a fabulous job and becomes Hoffa's closest friend and
confidant. Everything goes fine for a while, until John F. Kennedy is
elected president - with mob support mind you, as they figure him one of
theirs who will reclaim Cuba from Castro and unfreeze their assets there
(something that of course doesn't happen). Only Hoffa smells doom with
Kennedy's election, as he appoints his brother Robert (Jack Huston)
attorney general, and Robert makes it his mission to get Hoffa behind bars
for his illegal dealings with the mob - and he succeeds, too. What's worse
is, while he's in jail, his deputy Fitz (Gary Basaraba) takes over the
union and wants to freeze Hoffa out for good. And Hoffa has a fall out
with the one guy to help him back to power once out of prison, Tony Pro
(Stephen Graham). Hoffa's time in jail doesn't stretch that long, and
yet when he's out he doesn't really fit in with the "new world"
anymore, and all he cares about is to get "his" union back.
Sure, Frank is still his trusted friend and still stands by his side, and
Russell at least claims he still has his back, but there are those who
just want Hoffa out of the way, most of all Fat Tony Salerno (Domenick
Lobardozzi) and of course Tony Pro. Frank tries his best to keep Hoffa in
line, and Russell tries his best to keep peace, but ultimately, it becomes
clear that Hoffa has to be executed. And during a seemingly innocent trip
to a wedding with Russell and their wives (Stephanie Kurtzuba, Kathrine
Narducci), Frank has to realise that Russell has chosen him to do the
deed, with the wedding being a mere cover-up to give him an alibi ... Now
if one chooses to be mean, one could say that The Irishman is
merely a rehash of Martin Scorsese's earlier Goodfellas and Casino,
and one wouldn't be completely wrong, and not only for the involvement of
Robert De Niro and Joe Pesci in both of these movies. At the same time,
this assessment would also fall short on conveying how good a movie The
Irishman actually is: Once again, Martin Scorsese shows that his
mastery to tell epic (in this case decades-spanning) stories as stringent
tales that are told in such a lively way they seem out of breath is second
to none, his approach to nostalgia almost completely lacks the patina and
melancholy usually associated with it, He's great at changing perspective
and still staying close to his characters, and his directorial style is
unmistakably his own without ever overpowering the story he tries to tell.
And that he has one of the best casts ever at his hands of course helps a
lot as well, and their CGI-de-aging doesn't hurt the film one bit. Pretty
much a must-see!
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