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Il Gigante di Metropolis

The Giant of Metropolis

Italy 1961
produced by
Emimmo Salvi, Decio Salvi (executive) for Centroproduzione
directed by Umberto Scarpelli
starring Gordon Mitchell, Bella Cortez, Roldano Lupi, Liana Orfei, Furio Meniconi, Marietto, Omero Gargano, Mario Meniconi, Carlo Tamberlani, Luigi Moneta, Renato Terra, Ugo Sasso, Carlo Enrici, Leopoldo Savona, Alberto Farnese, Kronos
story by Gino Stafford, screenplay by Gino Stafford, Sebatino Ciuffini, Ambrogio Molteni9, [Oreste Palella, Emimmo Salvi, Umberto Scarpelli, music by Armando Trovajoli

review by
Mike Haberfelner

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20,000 B.C.: King Yotar (Roldano Lupi) has Metropolis in his iron grip, and thanks to his many scientific achievements, he has managed to deprive his people of their free will and make them his willing subjects. But he has even more and mad ambitions: He wants to make his young son Elmos (Marietto) whom he has always kept locked away from the public and even his mother Queen Texen (Liana Orfei) immortal, and not only that, he wants to inject the braincells of an old sage (Omero Gargano) into his brain to make him wise instantly.

But enter Obro (Gordon Mitchell), a strongman who could withstand the death rays guarding the city and who has no problems fighting off Yotar's palace guard - just to warn Yotar that his end is near - which Yotar's scientists can only confirm since Metropolis seems to be build atop a volcano (not the cleverest spot to build a city if you ask me) which is about to eerupt ... but does Yotar listen ? Nope.

Eventually, Yotar's guards do capture Obro, and Yotar has him fight all sorts of  creatures, who often vastly outnumber him, but Obro stays victorious throughout ... and eventually, Obro is freed, by none other than Yotar's father Egon (Furio Meniconi), who persuades Obro to help him end his son's evil reign by staging terrorist attacks ...

Eventually, Obro stumbles upon Princess Mecede (Bella Cortez), Yotar's daughter, manages to break the spell Yotar has over her, and before long, the two fall in love. Together they even try to kill Yotar, but being Yotar's daughter, Mecede prevents Obro from killing him in the very last moment, and instead the two are taken prisoner.

But by now, Yotar's mind has already started to crumble as he starts to see the spirit of his father (whom he has killed in the meantime), and the sage he wanted to use as braincell donor for his boy dies before he can do so. And Yotar's city starts to crumble too, as it is destroyed by earthquakes and the volcano about to break out. in his desperation, Yotar frees Obro and Mecede and entrusts them with his son Elmos, telling them to save him from impending doom and guard his life with their lives.

Eventually, Metropolis is destroyed by natural desasers galore, but somehow, Obro, Mecede and Elmos have made it to safety in time ...

 

A film that falls between many stools: On one hand it's a peplum, with all the typical genre elements including the muscleman, the evil king, his scheming subjects and a beautiful princess who of course falls for the muscleman. On the other hand though, The Giant of Metropolis also features quite a number of sci-fi elements one doesn't expect to find in a peplum, like Metropolis the scientific city, brain transplantation, attempts to create immortality and the conflict science versus religion.

On the account of sets, costumes and properties, the film also goes two ways: On one hand, it was obviously made on the cheap, on the other hand, some of the pseudo-futuristic weapons look just wonderful, and the cheap sets are so well-filmed they create a dreamlike atmosphere all of their own.

Now admittedly, the film is not to everybody's taste, but if you like the cheap and cheesy like I do, chances are you will be richly rewarded.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

Amazon

Amazon UK

Vimeo

 

 

 

Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
Amazon!!!