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Fair Game
She Was Fair Game / Fair Game - Hunting Season
Australia 1986
produced by Harley Manners, Ron Saunders for Southern Films International
directed by Mario Andreacchio
starring Cassandra Delaney, Peter Ford, David Sandford, Garry Who, Don Barker, Carmel Young, Adrian Shirley, Tony Clay (as Wayne Anthony)
written by Rob George, music by Ashley Irwin, action coordinator: Glenn Boswell, special effects by Brian Pearce
review by Mike Haberfelner
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Jessica's (Cassandra Delaney) position in her community hasn't been the
easiest to begin with, running an animal sanctuary in, of all places, the
very macho dominated Australian Outback, so should occasionally one of her
animals - on her property, mind you - disappear or show up shot to death,
the local sheriff (Don Barker) usually turns a blind eye, figuring it
wouldn't even be worth the paperwork. But then game hunter Sunny (Peter
Ford) and his goons Ringo (David Sandford) and Sparks (Garry Who) show up,
and they're more than a little interested in the kangaroos on her land,
and when she puts up some soft opposition, they intimidate her a tiny bit,
which includes driving her off the road - only, she's a woman of ideals
and a little intimidation doesn't work for her. So Sunny and company try
harder and harder, which includes cutting her off civilisation (it's the
outback, so everything's miles apart), killing her animals, humiliating
her and only just stopping short of a rape, and thrashing her whole farm -
but however spent she might be she never wavers, which of course can only
lead to one thing, a literal life-and-death stand-off where Jessica's
grossly outnumbered ... Now in the era Fair Game was
made, revenge movies spanned many genres, be it action (First
Blood), sexploitation (I
Spit on Your Grave) or even science fiction (Mad
Max) - and while granted, the term "era" is used rather
generously here, Fair Game has certainly been influenced by all of the
above movies in one way or another. And yet, upon watching the whole thing
just feels damn original, for once because it doesn't follow the same
macho patterns action movies of its ilk followed in the mid-1980s, but
also because it has its heart in the right place, but without bragging
about it, and it successfully combines suspense with all-out action,
something not many movies have mastered to this day. And when it comes to
action, the film really chooses action filmmaking over blunt violence,
which might also explain its low bodycount. But what above everything else
makes this movie is its many rather brilliantly executed stunt sequences
which really combine inventiveness with pure craftmanship. So it's really
an adrenaline-pumping experience throughout, and while yes, there's never
any doubt how this movie will end, the road to there is well worth the
journey - and a film that deserves a lot more attention than it's getting
presently.
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