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El Hombre sin Rostro

The Faceless Man

Mexico 1950
produced by
Juan Bustillo Oro, Gonzalo Elvira for Oro Films
directed by Juan Bustillo Oro
starring Arturo de Córdova, Carmen Molina, Miguel Ángel Ferriz, Queta Lavat, Chela Campos, Fernando Galiana, Armando Sáenz, Ramón Sánchez, Kika Meyer, Wolf Ruvinskis, Julio Daneri, Josefina Burgos, Matilde Palou
written by Juan Bustillo Oro, music by Raúl Lavista

review by
Mike Haberfelner

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Juan Carlos (Arturo de Córdova) has been a most successful homicide investigator in his yet young life, but with the killing spree of the "Mutilator", an extremely ruthless serialkiller killing first and foremost prostitutes, he seems to hit wall after wall after wall, to an extent that his boss thinks about replacing him - but the police psychiatrist Dr Britel (Miguel Ángel Ferriz) persuades the chief to let him help Juan Carlos, a close friend of his. But when they go on an undercover investigation together, the most peculiar thing happens: Juan Carlos completely blows his top just because he witnesses a woman kissing a man on the dancefloor. Dr Britel decides to put Juan Carlos on his couch for some psychotherapy, and he learns about his strange dreams about a Faceless man who he believes to be the killer ... and also, there's some weird stuff regarding Juan Carlos' mother (Matilde Palou). Upon investigating the mother-aspect of things further, Dr Britel learns that Juan Carlos had a very domineering, very possessive mother who even broke up Juan Carlos' engagement with the girl he loved, Ana Maria (Carmen Molina), of all people his adopted sister. Mum has died two years ago though, and now Juan Carlos moves back in with Ana Maria in mum's house ... but starts behaving more and more erratic, especially when he fires maid Rosa (Queta Lavat) after he has caught her kissing her fiancé. Later that night, Rosa is murdered, most probably by the Mutilator ...

Dr Britel arrives at Juan Carlos' house, and he finds more and more evidence that Juan Carlos might actually be the Mutilator - to the point where Juan Carlos throws him out of the house ... to later call him back to keep him from going completely bonkers. By now, Dr Britel has almost enough evidence to arrest Juan Carlos, but only almost, and Juan Carlos is his friend, so he tranquilizes him to ponder upon what to do ... but Juan Carlos comes to sooner than the doc might expect and now tries to kill Ana Maria, upon which Dr Britel has to shoot him dead in order to save her - but that weighs so heavily on Britel that he contemplates suicide ...

 

In many a way this is a rather ahead-of-its-time little psychological thriller, as it uses Freudian methods to track down its killer, including his theories about interpretation of dreams (which leads to quite a few wonderfully surreal scenes) and is full of sexual allusions rather ahead of its time (at least in genre movies). Now add to this a few good suspense scenes and atmospheric camerawork and you come up with ... well, a pretty good genre movie most certainly under-appreciated by researchers of the genre for contemplating motives Psycho is these days praised for introducing to the big screen a decade later, but not a classic - it's a bit too simplistic in narrative to be that and most of the acting is rather wooden. Still, definitely worth a watch for the genre fan!

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
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Tales to Chill
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Tales to Chill
Your Bones to
-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
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Tales to Chill
Your Bones to

the new anthology by
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Out now from
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