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Young Tamyo (Mahiro Aine) is an especially well-sheltered kid, she has
been brought up by three androids, the good-looking Suketomo (Yasunori
Tanaka), the bulldozer-like Suketake (Fukuten), and the weird-looking and
klutzy Sukekiyo (Yuya Tokumoto). Sukekiyo, it seems, has fallen in love
with her, and she is actually fond of him as well, but when it comes to
deflowering Tamyo, the task goes to Suketomo (yes, these robots are
programmed to do even that). Then though, Tamyo's half-sister Tsukiyo
(Maria Ozawa) learns their father is dying, and he has willed all of his
fortune to Tamyo, and she simply cannot let that happen. So she summons
ninja Azami (Asami) and twilight detective Kaneda (Ryu Ishii) to help her
gain access to Tamyo's mansion, then takes over her robots - all but
Sukekiyo, who seems to be programmed in so be weiord way to resist the
takeover. Sukekiyo does his best to defend his mistress, and he even
manages to overcome his two fellow androids and make a hasty getaway with
Tamyo, but he is no match so Azami's ninja skills, so he ends up cut into
pieces while Tsukiyo takes Tamyo captive in order to force her sign over
the family fortune. However, twilight detective Kaneda is actually
playing both sides, and thus he attaches Sukekiyo's head to bulldozer-like
Suketake's body, and as such, Sukekiyo returns to the mansion to save his
mistress and take out her adversaries ... but once that's done, he and
Tamyo learn that her father is not going to die after all, but going to
live forever as a brain in a jar ... and while after the whole story,
Tamyo starts having sexual dreams about Sukekiyo, in real life little has
changed, she regards him as little more than her favourite android ... Ok,
I have to admit, the story of this film is nothing short of silly - silly
but also utterly hilarious, and that's only emphasized by the androids'
cheap retro-designs, the sexy outfits of Maria Ozawa and Asami, and of
course the many silly excuses for a bit of nudity (despite Ms Ozawa's
presence this movie is entirely softcore). Add to this a light-hearted
script and a light-footed direction and you've got ... well, not a
masterpiece, but a funny example of genre cinema.
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