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L'Emmerdeur

A Pain in the Ass
Il Rompiballe / The Fun Maker / Die Filzlaus / Die Klette

France/Italy 1973
produced by
Georges Dancigers, Alexandre Mnouchkine for les Films Ariane, Mondex Films, Oceania Produzioni Internazionali Cinematografiche, Rizzoli Film
directed by Edouard Molinaro
starring Lino Ventura, Jacques Brel, Caroline Cellier, Jean-Pierre Darras, Nino Castelnuovo, Angela Cardile, Michele Gammino, Xavier Depraz, Francois Dyrek, Jean-Louis Tristan, André Valardy, Jean Franval, Pierre Collet, Arlette Balkis, Jacques Galland
screenplay by Francis Veber, based on his play Le Contrat, music by Jacques Brel, Francois Rauber

review by
Mike Haberfelner

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When Milan (Lino Ventura) checks into a hotel in Montpellier across the courthouse, all he was planning to do was to shoot a key witness (Xavier Depraz) in a trial against the mob dead from the comfort of his hotelroom window - but unfortunately, Pignon (Jacques Brel) has picked exactly the next room to commit suicide after his wife Louise (Caroline Cellier) has left him for a psychiatrist called Fuchs (Jean-Pierre Darras). Now Pignon totally botches up his suicide attempt, but the hotel's bellhop (Nino Castelnuovo) gets curious and already wants to call the police - the last thing Milan needs of course, so he promises the bellhop to take care of Pignon ... but unfortunately Pignon proves a regular pain in the ass and doesn't get off Milan's back - until Milan promises to bring him back together with his wife. Now this of course ends in utter disaster, and ultimately Pignon wants to leap off the windowsill to his death after failing to hook up with his wife again, but Milan saves him but falls onto the balcony below and thus suffers from a concussion. The doctor who comes up to treat him is actually Fuchs who thinks he's Pignon and thus heavily sedates him. But Milan can still think clearly enough to know he has a contract to fulfill, so in his drowsy state, he manages to force Fuchs to get him back to his senses again, and even bring Pignon and Louise back together. So it seems Milan is going to make it just in time for the assassination after all ... and then Pignon finds his gun and shoots and injures Milan in an accident - and suddenly both of them are on the run from the law ... which ends in jail, where Milan still can't get rid of that pain in the ass Pignon.

 

A Pain in the Ass has a great, almost absurd premise, some great twists and turns, and a great cast - but the outcome is merely pretty funny. Mainly, while the premise of this story might border the absurd, its execution is just too straight-forward, the thing at times lacks subtlety, and some of the better subplots feel underdeveloped - and that said, A Pain in the Ass, as mentioned, is without a doubt a pretty funny movie with plenty of laugh-out-loud scenes that can be wholly enjoyed - one just can't shake the feeling it could have been even better.

 

By the way, this movie was remade in the USA in 1981 by Billy Wilder as Buddy Buddy, while in 2008, Francis Veber, scriptwriter of the original, made his own version of L'Emmerdeur.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
demons and potholes,
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love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
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a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
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the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
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