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Censor Addiction
USA 2026
produced by
Michael Matteo Rossi, Erica Tenaglia, Marnette Patterson, Forest Meadows (executive), Rog Lolly (executive), Kerri Kasem (executive) for Italian Cowboy Productions
directed by Michael Matteo Rossi
starring Daniel O'Reilly, Marnette Patterson, Sascha Knopf, Bart Voitila, Chris Moss, Vernon Wells, Francis Capra, Vanessa Angel, Sarah Murphree, Michael O'Hearn, Iker Amaya, Ana Ciubara, Forest Meadows, Din Thomas, Teddy Moutinho, Eve Mauro, Hoyt Richards, Mike Manning, Brett Justin Koppel, Eligia Gonzalez, Levis Valenzuela jr, Wayne Riggan, Keo Phillips, Will Rowlands, Damian Tanenbaum, Rene Abelar, September D'Angelo, Omar Munoz, Brent Tay Walker, Carolina Lopez, Ritchie Greer, Natalia Christabelle, Perri Stauffer Reavis, Mariana Belen, Sierra Storm, Laura Twietmeyer, Maryela Perez, Tim Denin, Michael Thomas DeLano, Evelyn Vuckovic, Angel Lopez, Rachel Pizzolato, Natasha Tosini
written by Michael Matteo Rossi, music by Grant Kirkhope
review by
Mike Haberfelner
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Once upon a time, Addis (Chris Moss) ran a corporatiion with a noble aim,
to create a pill to decrease criminal tendencies in humans - and it worked
like a charm and made the company a fortune. However, this gave Addis an
idea to create a similar pill to brainwash people to do his bidding - and
once his business partner Soul (Daniel O'Reilly) has found out about this,
he opposed Addis. Alas too late though as Addis had by then taken over the
company completely and driven Soul underground. And he of course had
another reeason to part ways with Soul because Soul had married Lilith
(Marnette Patterson), the woman ´he had long been madly in love with.
Nowadays, Soul organizes the rebellion against Addis and his company, but
that's easier said than done as Addis has long sent his henchman Canvas
(Bart Voitila) after Soul, and Canvas doesn't shy away from anything, be
it violence and executions to even brainwashing Soul's right-hand man
(Iker Amaya) ... Now I will say thig, at times Censor
Addiction is a bit hard to follow, and that's not necessarily
because it's so overly complex but just because it's over-populated, and
not all characers wear their motivations on their sleeves. That said
though, Censor Addiction is also a film tht keeps at it throughout, it's
never far from a chase, a fitght or a shoot-out, and the blood flows
freely, so the thing keeps one thoroughly entertained. And the action
scenes are all competently put together, too. Plus, the film's subject
matter sure is food for thought, which elevates this film above the usual
genre fare. So in all, ,quite an enjoyalbe flick for sure. |
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review © by Mike Haberfelner
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