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Cabaret Sin
X Trop

USA 1987
produced by
Christopher Saint Booth, Nacada O'Toole, Kirdy Stevens (executive)
directed by Philip O'Toole
starring Greg Derek, Krista Lane, Lorrie Lovett, Kristara Barrington, Kevin James (II), Herschel Savage, Bunny Bleu, Candie Evans, Keisha, Tom Byron, Tish Ambrose, Leslie Winston, Chris Thompson, Tex Anthony, Brute Force, Gail Force
written by Philip O'Toole, Nacada O'Toole, Christopher Saint Booth, music by Cinema Symphony's

review by
Mike Haberfelner

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The year is 2020: Someone has stolen some sort of decoder from someone (it doesn't get much clearer than that), and Taylor (Greg Derek), an eliminator (pretty much a cop with the authority to kill whoever he pleases), has tracked the thief down to a club called Pleasure Dome, where sex is performed live on stage in various scenarios. To figure out who's behind it all, Taylor goes backstage to have a couple of sexual encounters himself, then he finds his true love Nicola (Krista Lane) in the audience, and remembers the good times they had. When they get to talk though, they get right into an argument, and eventually she breaks up the conversation altogether when she finds out he's not here to try and win her back, only on another assignment as eliminator. Later though, it turns out that she is actually the thief he's after - but when he's supposed to kill her, he can't, and the two of them make an escape to start somewhere else anew - where they're tracked down by another eliminator before long ...

 

Many critics have called this a hardcore porn version of Blade Runner, which does make sense in a way, as both films are based on similar concepts. However, the movie as such comes across more as a streamlined and watered-down version of the hardcore classic Café Flesh, with its dystopian post doomsday world and its live-on-stage sexclub. However, Café Flesh was essentially a pornographic yet surreal piece of performance art - while Cabaret Sin has thrown out all the weirdness and comes across as a mediocre porn circus that tries but fails to tell a proper story as everything is interrupted by yet another fuck scene a few times too often, and while the girls are at least all very cute in this movie, the fuck scenes just lack creativity.

That said, the film is still at least some fun from a retro perspective for its clearly 1980's visuals and attitude, but it's certainly less than a sci-fi porn classic à la Café Flesh.

 

By the way, quite a bit of this film's footage was reused in the following year's Droid, a non-hardcore feature with a bit of a different storyline (but a similar cast and crew).

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
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Tales to Chill
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Tales to Chill
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