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Broadcast Bombshells

USA 1995
produced by
Gary P. Conner, Ernest G. Sauer (executive) for Private Screenings
directed by Ernest G. Sauer
starring Amy Lynn Baxter, Debbie Rochon, John Richardson (II), Elizabeth Heyman, Joseph Pallister, Scott Thompson Baker, Gregory Tracy, Ken Dashow, Erik Hansen, Sharon Banks, Salvatore Thomas, Mark Egan, Kenneth Theissen
written by Gary P.Conner, Joe Dinki, music by Joey Mennona

review by
Mike Haberfelner

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There's a power struggle going on at WSEX-TV: Weather girl Kendall Saranski (Amy Lynn Baxer) knows she is a damned good investigative reporter, but every time she tries to start something, she is relegated to playing second fiddle to sports reporter Brian Kilgore (John Richardson) ... who just isn't very smart, but good at evoking emotions with the audience. Apart from that, he is trying to get into the panties of every woman at the station, including Kendall's of course. Kendall sees her big break coming when the station runs a series of stories about a bomber dubbed the mad bomber (so much for originality), but instead of giving her the break, station boss Buel (Ken Dashow) first sends her on an assignment checking out the self-help seminar of the station's best sponsor Frank Friendly (Scott Thompson Baker), then lets her produce the telethon hosted by none other than Brian Kilgore.

Meanwhile Amanda Cross (Debbie Rochon), one of the station's producers, conspires against pretty much everybody, just because she can. So she tricks Kilgore into a SM session with her, which she has put on film to use against him, then tricks Frank Friendly into giving her the secret of his seminars (just three little words that make a world of difference) to reveal live on the air. Amanda even uses her body to get where she wants (though the film remains unclear as to where that might be).

The telethon receives a bomb threat from the mad bomber, but Buel decides to put it on anyhow. Kendall has meanwhile picked up a definite lead on the bomber together with her new boyfriend, stagehand Neil (Joseph Pallister), but then they blow it when they decide to have sex while the bomber prepares to strike.

During the telethon, Amanda has thought up a segment to explose both Brian Kilgore and Frank Friendly, and pitting them against each other at the same time ... and right then and there, the bomb goes up - but does surprisingly little damage, just enough to give Amanda and the police a lead to the identity of the bomber - none other than Buel himself, who only came up with the whole bomber-scheme to push his station's ratings.

 

Very mediocre low budget erotic comedy that's actually rather low on sex and that seems to repeatedly lose its story for no real reason at all. Add to that a very uninspired directorial effort and you're left with rather little ... and yet, the film has one saving grace, and that's - no real surprise here - Debbie Rochon, who is not only on her hottest in this one and does get naked on a couple of occasions, she also shows comic talent that is way above the rather lame material she is given here and that makes her character as the bitchy producer the one shining light in an otherwise very unremarkable film ...

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
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Tales to Chill
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Tales to Chill
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a collection of short stories and mini-plays
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to the weirdly romantic,
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the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
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