Bibi

Girl Meets Girl
Bibi - Lustreport einer Frühreifen / Bibi - Confessions of a Sweet Sixteen / Vild pa Sex / Bibi - Sündig und Süss / Baby Love / Confessions of a Sex Kitten

West Germany/Sweden/Switzerland 1974
produced by
Chris D.Nebe, Sture Sjöstedt, Dominik Huser (executive) for Saga Film, Monarex
directed by Joe Sarno
starring Marie Forsa, Nadia Henkowa, Gisela Kraus, Anke Syring, Ines André, Birgit Zamulo, Francoise Suehrer, Peter Hamm, Britt Corvin, Karin Lorson, Eleonore Leipert, Marianne Dupont, Alon D'Armand, Kurt Meinicke, Stefan Stein, Christa Jaeger, Mark Edwards, Josef Moosholzer, Michel Jacot
written by Joe Sarno, music by Günter Möll

review by
Mike Haberfelner

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Teenage Bibi (Marie Forsa) is coming to stay with her aunt Toni (Nadia Henkowa), and she hides behind an air of innocence, but in reality she is quite a little bitch: First she seduces Pauline (Birgit Zamulo), her lesbian maid who is secretly in love with her, but once she has shagged her into submission she neglects her. Soon she seduces a trio of girls to lesbian games, becomes part of a group that regularly has orgies, seduces racecardriver Wolf (Stefan Stein), and persuades her puritan friend Cleo to get her a man (Michel Jacot) but claims to be too shy to have sex with him when Cleo's not present ... so the thing soon turns into a threesome.

Eventually though, pushes things too far when she has Pauline raped by Roland, and then arranges it that puritan Cleo is caught when having sex with her by her own promiscous sister. Suddenly everybody including her aunt turns against Bibi. And Bibi, disappointed by those who enjoyed having sex with her enough to give her trinkets as little tokens of appreciation, hurls the trinkets back at them when confronted with all her sexual partners at once.

Her box of trinkets however is not empty ... it seems she has collected enough other trinkets somewhere else ...

Bibi is a very typical Joe Sarno film: While there's sex abound, the film relies less on pure shagging and more on psychological twists ... however cheesy they sometimes may be. The other trademark of Sarno's films is thwir unpretentious presentation of sex and nudity: The sex-scenes are not perfectly lit, the sets look rather ordinary, and the girls - though not ugly - are not perfectly built, but often have more charisma than any blond bombshell (I'm especially thinking Marie Forsa here). But despite, or even because of, their shortcomings, these scenes are also extremely sensuous.

In all, Bibi might not be Citizen Kane, but its a great piece of nostalgic 1970's erotica this side of hardcore.

review © by Mike Haberfelner

 

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