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El Arte de Morir

The Art of Dying

Spain 2000
produced by
Francisco Ramos for Aurum Producciones, Canal+, TVE
directed by Álvaro Fernández Armero
starring Fele Martínez, María Esteve, Gustavo Salmerón, Adrià Collada, Lucía Jiménez, Elsa Pataky, Sergio Peris-Mencheta, Emilio Gutíerrez Caba, Adolfo Fernández, Pepa López, Mónica Cano, Paul Zubillaga, Tamara Chenel, Antonio de la Fuente, Paloma Juanes, Javier Páez, Jesús Hierónides, Jamaica Estaciones, Carlos Moreno, Itziar Miranda, Andrea Guardiola
written by Curro Royo, music by Bingen Mendizábal, special effects by Reyes Abades, visual effects by Úrsula García, digital effects by Félix Bergés

review by
Mike Haberfelner

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Four years ago, artist Nacho (Gustavo Salmerón) disappeared under mysterious circumstances, now his ID has been found, and his six closest friends (Fele Martínez, María Esteve, Adrià Collado, Lucía Jiménez, Elsa Pataky, Sergio Peris-Mancheta) are questioned about the disappearance (again), but they stick to their story, they were on a camping trip without him the day he vanished into thin air - which is of course not quite true, Nacho was on the trip with them, but proved to be such an asshole that the others decided to play a prank on him but accidently killed him in the process. Then they buried him in an old shack.

Now they want to dig up Nacho's body again and hide it somewhere else, but somehow the shack catches fire that almost kills all of them. Back home, the friends start to be killed off one by one under mysterious, even supernatural circumstances, and only Iván (Fele Martínez) and Clara (María Esteve) are slowly figuring out what's going on - and that's actually Nacho who's doing the killings ... but how? Nacho is dead after all.

The whole story gets weirder though when things start to disappear and Iván and Clara's memories about the fire in the shack gradually change. Eventually, Iván meets Nacho who tells him they all died in the fire and are now dead and in limbo, and with everything that's happening, Iván even believes him - and then visits Nacho's father (Adolfo Fernández) to confess everything to him ...

Then Clara wakes up in a hospital - it's the day after the fire in the shack, which she has survived. Her friends are dead, all but Iván, who's still in a coma, and his survival is uncertain. In limbo, Iván meets Nacho again, who now tells Iván he's not actually dead but in a coma, but obviously Iván's belated confession to his father has moved Nacho, so he doesn't kill him like the others but grants him a new lease of life.

 

For the most part, this is pretty much your typical slasher movie, and it's competently acted and directed, and the somehow grotesque murders add a bit of colours to the tried-and-true plot. However, the film eventually takes a turn to the worse when everything is revealed to be just a dream: The plot is just not strong enough to sustain that, and the theory behind it is downright silly - in all its efforts to be intelligent.

Not a total failure, but not really worth your time and money, either.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Robots and rats,
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love and death and everything in between,
Tales to Chill
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Tales to Chill
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a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
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Tales to Chill
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