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À Nous la Liberté

France 1931
produced by
Frank Clifford, Alexandre Kamenka, Roger Le Bon for Films Sonores Tobis
directed by René Clair
starring Raymond Cordy, Henri Marchand, Paul Olivier, Rolla France, André Michaud, Germaine Aussey, Léon Lorin, William Burke (II), Vincent Hyspa, Jacques Shelly
written by René Clair, music by Georges Auric

review by
Mike Haberfelner

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Louis (Taymond Cordy) & Emile (Henri Marchand) attempt a jailbreak, but only Louis is successful. Once outside, he soon leaves his life of crime behind him & starts out as a businessman, & in no time at all he has brought it to riches as thje leading producer of recordplayers. The working conditions in hs factory though resemble remarkingly those Louis himself has experienced in prison.

Emile meanwhile becomes enchanted by Jeanne (Rolla France) the woman who lives across the street from his prison cell (or rather the record she's playing, & when he (accidently) breaks out of jail too, his first thought is to get into contact with her ... but her father spoils each & every of his attempts ...

But Emile (again, accidently) finds work Louis'  factory (on the conveyor belt), where Jeanne just happens to work as well ... but unfortunately the mean foreman (André Michaud) has laid an eye on her as well, which leads to much chaos, until Emile runs across Louis, his former cellmate, who at the beginning doesn't want to have anything to do with Emile anymore & wants to pay him off, until he realizes Emile to be a much better friend than all his crooked business partners or shallow acquaintances of the high society (including his unfaithful mistress).

Overcome by friendship for his new old friend, he decides to help him even in matters of love, persuading Jeanne's father (with money) to allow Jeanne to marry Emile ... but from here on everything goes downhill: While Emile loses Jeanne on their first date to another man, a gang of crooks show up in Louis' appartment, wanting to blackmail him for (at least) half his fortune since they have found out who he is. Out of pure luck, Louis manages to lock them all into his safe, but by then Emile has caught ethe attention of the police as well, & when escaping them tries to find a hiding place in Louis' appartment ... & why not try the safe ...

Having only barely escaped both gangsters & the police, Louis opens his newest, fully automatized factory (that doesn't need any workers anymore) & as a sign of good will gives it to his workers as a present, while he somehow manages to make his getaway for good.

& while the workers enjoy their work int he factory that doesn't need them anymore, Louis & Emile set out into the world as tramps ...

 

This early sound (slapstick-)satire on industrialism was a very obvious insouiratuion for Charlie Chaplin's later, much cheesier Modern Times (1936), so much so that the producers (not René Clair himself though) sued Chaplin for plagiarism, a trial that was dragged out for over 10 years befroe finally being settled out of court, with Chalplin being willing to pay up but not to admit the allegations.

A Nous la Liberté itself is a very good-natured, humaine film (especially considering it is a satire too, that has its great moments, but time & again seems undecided which way to go, love-story, social commentary or pure slapstick.

 

review © by Mike Haberfelner

 

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

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Amazon UK

Vimeo

 

 

 

Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
-
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
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