In 2014, scientist Kerensky (Anton Nouri) invents something that throws the world as such into World War III, which wipes out most of earth's population. And yet, somehow Kerensky can buy himself a place in a bunker when he promises to produce an android that will contact him from the future to prevent him from making that evil invention.

2078: Yuri (Simon Licht) and his gang of mercenaries free android Ainoa (Verena Buratti) from a maximum security prison, but while Yuri thinks he's only part of the gang doing a job, he actually turns out to be the chosen one to bring Ainoa to the Oracle (whatever that is) while his comrades commit collective suicide. Suddenly, Yuri and Ainoa find themselves on the run from pretty much everyone, from gouvernment troops (who don't want the present changed) to mutants, and while running they fall in love. Somehow the two of them manage to evade everyone while lovemaking or make love while evading everyone, I'm not quite sure which. Ultimately, Ainoa finds the Oracle in some caves, and it is actually a wormhole in time through which she manages to call Kerensky to persuade him to not put his invention into action - but alas she calls too late ... but fortunately she finds another wormhole in time right next to the first one which takes her call even further back, and now she reaches Kerensky at the right moment and ... and future is changed, now Yuri is a noted inventor and Ainoa ... well, she's still an android, but when the two meet, they seem to remember loving each other in a different timeline - and love conquers everything, I suppose ...

An interesting failure: This film tries to make an intelligent science fiction film about time travel - and simply doesn't get the time-travelling-basics right, instead it repeats large junks of the flawed timetravel-theory behind the original Terminator (which might be a great film on many levels but not a thoughtful or even intelligent movie about time travel), and with its love conquers everything (even parallel timelines it seems) ending, Ainoa even becomes cheesy and ridiculous. Add to this an intentionally slow pace which takes much of the film's effect, and a way too obvious (yet failed) attempt to make something intellectually challenging, and you are left with ... well, not a total loss, at least the locations and the camerawork are great and the cast is adequate, but somehow you just can't shake the feeling this could have been so much better ...

review � by Mike Haberfelner

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In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

now streaming at

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Robots and rats,
demons and potholes,
cuddly toys and
shopping mall Santas,
love and death and everything in between,
Tales to Chill
Your Bones to
is all of that.

Tales to Chill
Your Bones to -
a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

Tales to Chill
Your Bones to
the new anthology by
Michael Haberfelner

Out now from
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