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An Interview with Alexander Chehrazi, Director of Mary

by Mike Haberfelner

July 2025

Films directed by Alexander Chehrazi on (re)Search my Trash

 

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Your new movie Mary - in a few words, what's it about?

 

Without spoiling anything major; the horrors of online dating.

 

What were your sources of inspiration when writing Mary, and is any of the film based on personal experiences?

 

Ultimately, I wanted to pay homage to one of my favourite sub-genres, the slasher, while trying to implement elements that flip the standard tropes on their head. Although I have used online dating apps in the past, thankfully I have never encountered any of the experiences seen in this film.

 

What can you tell us about Mary's approach to horror?

 

Mary is a slowburn. The type of approach that I have with horror, including my past projects, always gravitates to the tension filled, dialogue driven, and suspenseful stories that keep the audience on edge until the final moments. Mary's whole selling point is based off of its unexpected plot twist. We needed to make sure it was executed to perfection, otherwise the audience wouldn't care.

 

A few words about your overall directorial approach to your story at hand?

 

As a thriller with slasher elements, my primary focus was on "how can we make this stand out and be different?" There needed to be a reason to tell this type of story, something that one might call conventional and familiar, and do something totally unexpected with it. I made sure my co-writer understood that.

 

Do talk about Mary's cast, and why exactly these people?

 

Lanisa Dawn and I had previously worked together on another project of mine, so the chemistry and rapport was already there. Fun fact: The original actress I had initially cast had dropped out not long before shooting. Lanisa answered the call and was willing to come on board as my lead, even though she was currently on vacation in Los Angeles. She literally got onto a flight the first day of our shoot, and had landed in Montreal about an hour before her call time was scheduled. It couldn't get any more last minute than that, and I truly believe she was meant to partake in this project and play the role of Briana. This was the first collaboration between myself and Alex Gravenstein, and it will certainly not be the last. A true gentleman, extremely talented, and a hard worker. These were the elements that made me want to work with him. I will not speak on that ''other'' performer, as I intend to keep them a secret ;)

 

What can you tell us about the shoot as such, and the on-set atmosphere?

 

3 days of intense work! We had a smaller crew of about 7 people (not including cast), and they put their 100% maximum effort, despite longer set up times for shots. For our second day, our crew began setting up at around 4PM, and we had wrapped the following morning at 7AM. True warriors, every single one of them, cast included. Everyone was there to work, and it shows in the final product.

 

The $64-question of course, where can Mary be seen?

 

Having made its world premiere at Fantasia on July 19th, we still have quite a few festivals to hear back from. My fingers are crossed, and if all goes well, you will be able to catch a screening in a city near you. Once our festival run is complete, we hope to get a small distribution deal with an online platform, as we would love for the public to get a chance to enjoy our film.

 

Anything you can tell us about audience and critical reception of Mary?

 

For those select few who had seen it prior to its world premiere at Fantasia, generally were very impressed. During the premiere itself on July 19th, I was very happy with the audience reaction. They had reacted appropriately to every single beat I had set up. All the jump scares, creepy insert shots, twisted story elements and the chaotic ending got legitimate reactions from the crowd, and I couldn't have been happier.

 

Any future projects you'd like to share?

 

I have been developing Baptism for several years and am finally going to move forward with production, with the hopes of shooting in 2027. Not going to give any story elements away, but this is a project I am so excited to have come to life, because we hold up a mirror to certain members of society, and it is definitely going to offend and piss off a lot of people. Looking forward to it.

 

What got you into filmmaking in the first place, and did you receive any formal training on the subject?

 

I knew from a very young age that I wanted to be involved in the world of cinema. Storytelling has always been my passion. I had first experimented with different forms of art, until I eventually found myself wanting to create as a filmmaker when I hit 18. I had begun shooting $0 budget, amateur short films where I used to cast my close friends and family members in roles, as those were the resources I had at my disposal back then. I had done that until about 24-25, and eventually enrolled in a private film school as I wanted to take the craft seriously and begin building my career as a professional. It's been 9 years since I've been doing it professionally, and I don't plan on stopping anytime soon.

 

What can you tell us about your filmwork prior to Mary?

 

I have produced, written and directed 4 previous short films. My most successful being Samhain (2019), which got me some good media attention in my own city, while doing a solid job on the festival circuit, being selected at 7 out of 11 we had submitted to.

 

How would you describe yourself as a director?

 

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I'm someone with a clear vision and a no nonsense attitude. I am open with my cast, and am always willing to listen to their input and creative ideas, but I will never completely falter away from my story and vision. When there's downtime on set, I take the time to talk to everyone, crew included, to make sure they are well taken care of and are feeling their best on my set. It is extremely important to me. In terms of storytelling as a director, I am someone who loves mystery. My stories always unfold like an onion; the more you watch, the more layers are peeled back and the story is unraveled. Keeping the audience on edge and engaged through dialogue is what I love to do.

 

Filmmakers who inspire you?

 

My three major influences in no particular order: Martin Scorsese, David Lynch, Francis Ford Coppola.

 

Your favourite movies?

 

I would be sitting here for hours, naming you every single favourite film of mine, but in a nutshell: Godfather 1 & 2, Apocalypse Now, Taxi Driver, Black Christmas, Halloween, and the list goes on.

 

... and of course, films you really deplore?

 

Without directly speaking negatively on certains films that I do not enjoy, truthfully I believe cinema as a whole has vastly strayed away from the high standard it once was. It has become a diluted and lifeless art form, where focus is made primarily on marketing reach and how popular a film becomes, rather than the quality of the product itself. This is not a jab at Hollywood directly, as it has always been a business since day 1, but even on an independant level, films seem more focused on the hype it can get, along with "pretty" cinematography, rather than immersing the audience in a story that can potentially change their perspective on things in a positive way, something cinema was once capable of doing. I hope this can change.

 

Your/your movie's website, social media, whatever else?

 

IMDb page for Mary: https://www.imdb.com/title/tt34306002/

IMDb page for my portfolio: https://www.imdb.com/name/nm9401831/

 

Thanks for the interview!

 

© by Mike Haberfelner


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Thanks for watching !!!



 

 

In times of uncertainty of a possible zombie outbreak, a woman has to decide between two men - only one of them's one of the undead.

 

There's No Such Thing as Zombies
starring
Luana Ribeira, Rudy Barrow and Rami Hilmi
special appearances by
Debra Lamb and Lynn Lowry

 

directed by
Eddie Bammeke

written by
Michael Haberfelner

produced by
Michael Haberfelner, Luana Ribeira and Eddie Bammeke

 

now streaming at

Amazon

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Vimeo

 

 

 

Robots and rats,
demons and potholes,
cuddly toys and
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love and death and everything in between,
Tales to Chill
Your Bones to

is all of that.

 

Tales to Chill
Your Bones to
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a collection of short stories and mini-plays
ranging from the horrific to the darkly humourous,
from the post-apocalyptic
to the weirdly romantic,
tales that will give you a chill and maybe a chuckle, all thought up by
the twisted mind of
screenwriter and film reviewer
Michael Haberfelner.

 

Tales to Chill
Your Bones to

the new anthology by
Michael Haberfelner

 

Out now from
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